Sep. 19th, 2017

Prague

Sep. 19th, 2017 12:21 am
patterns_bloom: (my own private reserve)
Alana has always loved Prague. The cobblestone streets, medieval architecture, and Vegas-like nightlife thrilled her last time she visited the city, and the essence of it hasn't changed. A lot has--there are more tourists, prices are higher, and more foreigners live there. But Alana still finds herself charmed by the place.

She starts her first day in Prague at 10am with a free walking tour with the New Europe company, meeting near the astronomical clock in the Old Town Square. Her group meanders around the city, giving her an opportunity to sketch the square, Charles Bridge, and statues in the Jewish Quarter. The tour ends at Prague Castle, which she spends an peaceful hour drawing.

Petrín Park is her next destination; she spreads herself out on the grass, her fingers stained with charcoal, as she makes an outline of the squirrels chasing each other among the trees. All this practice has improved her sketch work by a decent amount, and as she adds tufts of fur to the squirrels' tails, she smiles.

Next, she heads to Kampa, a neighborhood by the river, to visit the John Lennon Wall. As a way to air their grievances in the 1980s, students wrote Lennon's lyrics on the wall--and Alana adds her own: "I will try to express/My inner feeling and thankfulness." After drawing the wall, she relaxes at the Sovovy Mlýny beer garden.

The day after, she explores Kutná Hora, famous for Sedlec Ossuary, which contains 40,000-70,000 bones. Alana practices drawing skulls and rib cages, and counts herself lucky that she's the only one who will ever see this sketchbook. Kutná Hora boasts other attractions as well: a large town square, medieval churches, and well-preserved streets. Alana has always felt that the town feels like Prague without the crowds.

Alana originally planned to spend two weeks in Prague; she stays for three.

Dublin

Sep. 19th, 2017 12:57 am
patterns_bloom: (professional neutrality be damned)
Something Alana did not know about Ireland before traveling there: the country has a love affair with gelato and ice cream. Every town she stopped in had at least one gelato shop, maybe two.

Dublin turns out to be more big-city than she thought it would be. The crush of people is almost overwhelming after two weeks in the rest of Ireland, where there was virtually no one. Towns in Ireland are fairly tiny, and the spaces between them are mostly sheep, because the country still hasn't returned to pre-famine populations. Alana notices a marked effort to use Gaelic on signs in addition to English; in parts of Ireland, there's only Gaelic, which she thought was lovely. She contrasts that to Northern Ireland, where there's only English, and the England-Ireland tensions were readily apparent.

Dublin, however, is far enough south that the signs are written in both languages. The city boasts Edwardian architecture at the center, and garden squares every few blocks, and a river running down the middle. Alana sketches Dublin Castle, which has three major themes to it because it's older than dirt and kept being rebuilt in bits. She wanders down winding streets--with cobblestones and brick peeking randomly through the asphalt--near the castle, full of deeply touristy pubs. She stops by one of them for lunch, eating colcannon, an amazing Irish potato and kale dish.

Alana then spends an hour drawing St. Patrick's Cathedral, named for the patron saint of Ireland. The architecture is gorgeous, and Alana wishes she could capture it better on the page. She learns that the present buildings date from 1191, and the famous Marsh’s Library is the oldest in Ireland.

Next, Alana tours the Guinness Storehouse, to learn all about the history of her favorite beer. She discovers that the factory was bought in 1759 and has a 9,000 year lease, and produces three million pints per day. After the tour, she heads up to the Gravity Bar for a free pint, and sketches the view of the city.

Her next destination is the library at Trinity College to see the ninth-century Book of Kells, an embroidered Latin version of the Bible. The illustrations are so beautiful, she almost cries; she doesn't bother sketching any of them, because she couldn't do them justice.

She has dinner at the Porterhouse, a brewery less touristy than most, which provides a delicious stout and crubeens, an Irish food made of boiled pigs' feet.

As Alana's day--and trip--come to a close, she reflects on what backpacking through Europe has given her. A whirlwind romance, and a new hobby of sketching, which she adores. A time to relax and unwind after being stressed for so long. And a way to reacquaint herself with the world after being trapped in Milliways for two years.

She's ready to take back her life, to move on from Baltimore and start a new chapter. She's ready to make a new home for herself.

She's ready.

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Alana Bloom

November 2017

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